This isn’t Succession 2.0, and that’s a good thing. Armstrong may be finding his footing in the film world, but Mountainhead proves he's willing to take risks.

If Harold and Maude wandered into a contemporary synagogue and bumped into a Jewish grief-comedy, you’d land somewhere near Between the Temples.

As an avid Wes Anderson fan, I was not prepared for the emotional depths that he was willing to go to with Asteroid City.