Brett Goldstein and Jennifer Lopez make an unlikely pair in Office Romance, a breezy Netflix comedy that delivers a few laughs and a runtime that overstays its welcome.

Nate Bargatze's first starring role in The Breadwinner delivers plenty of charm, even if the movie's second half can't match the promise of its opening act.

Obsession, the year's most surprising horror success, may already be Gen Z's defining genre movie.

More than a mystery, The Crash becomes a troubling portrait of the culture surrounding the people at its center.

Send Help is a wickedly funny survival thriller that uses a deserted island to skewer workplace politics, corporate entitlement and the question of whether people ever really change.

John Candy: I Like Me is a warm and heartfelt tribute to Candy that reminds us why one of comedy’s gentlest giants still means so much to audiences today.

The Sheep Detectives is a charming whodunit with talking sheep, sharp humor and surprisingly heartfelt themes about grief, purpose and connection.

Remarkably Bright Creatures is a tender small-town drama where an unlikely octopus connection gives way to a heartfelt story about grief, family and the generations that carry us forward.

Minority Report still feels eerily ahead of its time, blending blockbuster spectacle with unsettling questions about surveillance, free will and the cost of safety in a technology-driven future.

The Devil Wears Prada 2 is a glossy sequel that blends fan service with reflection on ambition, identity and a shifting industry

The Descendants is a quiet, deeply human story about grief, family and the impossible decisions we’re forced to make.

Michael is a glossy, estate-approved biopic that fails as a film but still finds a way to entertain

Sarah’s Oil is a meaningful story that toes the line between inspiration and complexity while keeping things accessible for families

Project Hail Mary proves big, brainy studio filmmaking can still feel magical.

Mr. Scorsese is a cinephile's dream of archival treasures, filmmaking wisdom and one giant excuse to revisit Scorsese’s entire filmography.

The Truth and Tragedy of Mariah Wilson trades shock value for a quiet, respectful portrait of a life cut short.

A revisit of The Worst Person in the World reveals a deeper, more emotional story about identity, relationships and the tension between planning your life and learning to let it unfold.

Is This Thing On? is a promising indie drama with a stacked creative team that never quite finds its emotional truth.

Along Came Polly is a perfectly “fine” rom-com that’s more memorable for its moments than its story.

Equal parts scary, funny and self-aware, Wes Craven's game-changing horror hit, Scream, still screams louder than most.