One of the funniest theater experiences I’ve had in years. Akiva Schaffer nails the Naked Gun tone—silly, sharp and eager to try new gags without recycling the old ones.

Wes Anderson’s The Phoenician Scheme might be his most politically-tinged film yet, but don’t worry—he’s still serving up whip-smart comedy and that signature style we love.

Fantastic Four: First Steps is more about people than powers. It's not Marvel's flashiest film, but it’s one of its more heartfelt entries.

Happy Gilmore 2 is exactly what you might expect from Sandler in his later years: a film made with his friends, for his fans, with little concern for critical acclaim.

Commune is a fascinating look at a radical social experiment that feels both wildly of its time and strangely relevant now.

There are movies that ask for your attention. Eddington grabs it—and doesn’t let go.

There are comedies that surprise you, and then there’s Tommy Boy—a movie that just makes you laugh, plain and simple.

I didn’t think Superbad had left much of a mark on me. But here I am, years later, still quoting it, still grinning at the name McLovin, and still genuinely touched by the friendship at its core.

The Ballad of Wallis Island quietly transforms into a moving story about memory, music and the complicated kindness of strangers.

I’ve always leaned Marvel, but James Gunn’s Superman pulled me in with heart, humor and a surprisingly sharp point of view.

Cowabunga, nostalgia. Rewatching Teenage Mutant Ninja Turtles was like opening a time capsule made of pizza grease and childhood joy.

Good Will Hunting is not my favorite ‘90s movie, but a time capsule from an era when a character drama could still become a cultural moment.

Clerks is not the best movie, but its impact is undeniable. And that Death Star debate? Still iconic.

Materialists isn’t here to sweep you off your feet. It wants to sit with you, make eye contact and ask if love is a feeling—or just smart financial planning.

I’ll always be biased when it comes to Forrest Gump. It’s more than just a movie to me—it’s comfort, nostalgia and a masterclass in American storytelling.

This isn’t Succession 2.0, and that’s a good thing. Armstrong may be finding his footing in the film world, but Mountainhead proves he's willing to take risks.

Pee-wee as Himself — A tender, trippy tribute to a one-of-a-kind talent.

Oklahoma-made and emotionally raw, Close Enough to Burn hits all the right notes.

There’s no denying The Brutalist is a big swing. Clocking in at nearly four hours, it’s a film that practically dares you to look away—but I couldn’t.

As a first-timer to the world of Lilo & Stitch, I went into this movie with fresh eyes — no nostalgia, no comparisons, just hoping for a solid family flick we could all enjoy. Mission accomplished.