The Secret Agent is clearly an ambitious film with a lot of craft behind it. I admired many of its individual elements, but as a whole, it never quite came together for me the way I hoped it would.

Roofman is a tender, throwback crime story that trades flash for heart.

Spike Lee’s Highest 2 Lowest isn’t top-tier Spike, but it’s thoughtful, entertaining and packed with questions about legacy, culture and staying relevant.

Memories of Murder blends noir, social critique and dark humor in a way that continues to ripple through modern cinema.

There are movies that ask for your attention. Eddington grabs it—and doesn’t let go.