Song Sung Blue is a feel-good tribute to music, resilience and the lives we build along the way.

Roofman is a tender, throwback crime story that trades flash for heart.

Wake Up Dead Man is a Knives Out mystery that goes for the soul, not just the solution.

Ella McCay is a forgivable late-career misfire that still flashes the wit of a legendary filmmaker, even if the world he builds never quite feels real.

Even without any connection to car racing, F1 proves itself as a near-perfect crowd-pleasing sports film, balancing insider authenticity with broad accessibility.

Oh. What. Fun has a stacked cast, a tired premise and a holiday movie that never earns its chaos

Zootopia is a vibrant, fast-moving sequel that delivers family fun, even if it plays things a little safe.

Not quite a movie, not quite a special—A Very Jonas Christmas Movie is a low-stakes, goofy holiday watch that works best while you’re wrapping presents.

Mickey 17 blends satire, slapstick, creatures and heart into one wildly entertaining package.

Wicked: For Good is a frustrating follow up to Wicked: Part One, mostly because you can feel the magic slipping through its fingers.

A Man Called Otto really wants you to cry. And somehow, even with my tender heart, I stayed dry eyed. Tom Hanks delivers, but Mariana Treviño is the true standout. The themes are meaningful, but the story plays out exactly as expected.

Stationed at Home is a quiet, poetic Christmas Eve story that trades holiday cheer for something more honest and human.

Predator: Badlands is an inventive and confident sci fi action film that puts us directly in the Predator’s perspective.

I revisited Gremlins after hearing that Gremlins 3 is officially in production, and it turned out to be the perfect mix of spooky and festive.

Seeing Back to the Future on the big screen for its 40th anniversary was pure movie magic.

The Perfect Neighbor is a Netflix documentary that plays out in real time and leaves you shaken.

Ambition, chaos and Hollywood dreams collide in Don’t Trip, Alex Kugelman’s bold and funny feature debut.

With stunning visuals and relentless tension, Alfonso Cuarón’s Gravity proves that even in the silence of space, great cinema speaks volumes.

Alex Garland and Ray Mendoza’s Warfare is a gut-punch of a war film — tense, immersive and unrelenting.

Weapons proves Zach Cregger isn’t a one-hit wonder. He’s officially one of the most exciting new voices in horror right now.