The Secret Agent is clearly an ambitious film with a lot of craft behind it. I admired many of its individual elements, but as a whole, it never quite came together for me the way I hoped it would.

Roofman is a tender, throwback crime story that trades flash for heart.

One Battle After Another is not only one of Paul Thomas Anderson’s finest achievements. It is one of the best films of the year.

Spike Lee’s Highest 2 Lowest isn’t top-tier Spike, but it’s thoughtful, entertaining and packed with questions about legacy, culture and staying relevant.

Memories of Murder blends noir, social critique and dark humor in a way that continues to ripple through modern cinema.

There are movies that ask for your attention. Eddington grabs it—and doesn’t let go.